Reverse painting on glass consists of applying paint to the back of a piece of glass and then viewing the image by turning the glass over and seeing it through the glass. This art form has been around for centuries. It was used for sacral paintings in the Middle Ages and frequently was employed for gilded images.
“Verre eglomise,” as the French call it, had something of a renaissance during the 1800s and early 1900s, used by both artists and by the fledging advertising community in Europe and the United States. Quick to see its commercial value in merchandising were American whiskey distillers and dealers. An attractive reverse glass sign in a saloon might entice more customers to imbibe their product.
I find these signs among the most attractive artifacts that the pre-Prohibition whiskey-makers have left to posterity. One favorite is the elegant “art nouveau” sign from John A. Dougherty’s Sons of Philadelphia. The elaborate “W” in “whiskey” is particularly decorative. This distillery was founded by John Alexander Dougherty, a native of Ireland who arrived as a youth in Philly in 1814 by way of Halifax, Nova Scotia. Originally a baker, Dougherty eventually moved to making whiskey and in 1849 founded the distillery that bore his name. He had several sons who, upon his death in 1866, continued the business until Prohibition.
Pennsylvania was a state that seems to have fostered elegant glass signage. The second example, also from Philadelphia, is redolent with gold. It advertised a distillery founded in 1874 by Angelo Myers. Framed in gold, the sign also features two medallions that commemorate gold medals the whiskey had won at national expositions. The company, with Myers father and son as presidents, survived 44 years before Prohibition closed its door. Quite unusually, two of four Myers’ corporate officers were women.
A third Philadelphia sign advertised the “Army and Navy Whiskey” from the James Moroney Co. A wholesalers and importer, Moroney founded his firm in 1875. Other brands he featured were “Moroney Pure Rye,” “Old Navy,” and “Round the World Scotch.” The company survived National Prohibition by selling sacramental wines and was in business as recently as 2022, a record for longevity.
In Pittsburgh, the Joseph S. Finch & Co. was founded in 1873 to great success and made its “Golden Wedding Rye” into one of America’s best known brands of whiskey. It was responsible for an elegant reverse glass signs, one that screamed gold and a second that replicated its Golden Wedding logo. In this case, we know the identity of the creator of at least one of the signs. The back of the first, faint but visible, is written: John Golding Glass Sign, 240 Pearl Street, New York.
Although Hill Side Rye is advertised as being Pennsylvania whiskey, the brand actually was distributed by a New York City based outfit (1880-1918) known as Steinhardt Bros. There were four brothers - Lewis, Henry, Morris and David. Together they forged a highly successful whiskey business. Not distillers, they collected whiskey from a variety of sources, “rectified” (mixed it) and sold it nationally and from outlets in New York under a number of brand names, including “White Lily Pure Rye,” “Emerald,” and “Lafayette Club.” Their sign bears the signature of artist Thomas G. Jones of New York.
Unlike most of the distillers and wholesalers above, Pfieffer Bros. of Louisville , Kentucky, were relative latecomers to the whiskey business, first opening their doors in 1902. Rectifiers and wholesalers, their glass sign features the firm’s flagship brand, “Silas Moore.” Pfieffer Bros. also sold their whiskey under such brands names as “Dixie Belle,” “Old Cornelius,” and “Tom Hudson.”
Pfieffer Bros. and the other whiskey companies cited above successfully were in business from the time of their founding until National Prohibition. This time spread makes it virtually impossible to date exactly any of these signs. Not so with the company that produced the final example shown here. “Royalty Club” was a brand name of the Anton Friedmann company in Cincinnati. City directories first show Friedmann’s organization in 1870. By 1874 it had disappeared.
Although reverse glass advertising signs are still being made, many of them attractive, our legacy from the pre-Prohibition whiskey makers set an artistic standard that will be difficult to match--ever.
Note: More detailed information about many of the “whiskey men” responsible for the reverse glass signs shown here may be found elsewhere on this website. They are: Dougherty, January 16, 2012; Myers, December 2, 2011, Moroney, June 2, 2023; Finch, January 31, 2015; Steinhardt Bros., November 29, 2012; and Pfeiffer Bros., October 18, 2011,