I am a fan of the Dr. Seuss books, from “Cat in a Hat” to “Horton Hears a Hoo" and beyond -- books read to my sons when they were tots. Unknown to me then was that their author, Theodor Seuss Geisel, earlier had created captivating advertisements for whiskey and beer among dozens of artworks for commercial purposes.
Geisel came from a family of brewers. His grandfather owned the Kalmbach and Geisel Brewery in Springfield, Mass. In 1894 it was renamed the Highland Brewery and five years later became part of the Springfield Brewery. In 1919, on the very day his father became president of the company, Prohibition was voted and eventually forced the brewery to close. Geisel never forgot the financial loss and trauma this event caused his family.
Geisel’s 1942 anti-Prohibition cartoon above was occasioned by a bill in Congress to lower the draft age that included a rider that would have outlawed the sale of liquor in areas adjacent to military installations. The opposition position, shared by Geisel, was that many liquor stores in wartime America were near some kind of military site. This threat occasioned the cartoon referencing the long dead Prohibition stalwart, Carrie Nation, riding on a characteristically Dr. Seuss camel. The measure failed.
The artist’s first foray into alcoholic beverages occurred in 1937 when he was commissioned to do a series of ads for Schaefer Beer. A New York City brewery, the F & M Schaefer Company had been founded in 1842 by brothers from Wetzlar, Germany. The brewery survived Prohibition and at one point in the 1950s Schaefer was reputed to be the largest selling beer in the world. Geisel was hired to give a lively image to Schaefer’s bock beer, a dark malty seasonal beverage that typically is available in March and April.
Because “bock” is also the word for goat in German, the brew often is depicted with that image. In keeping with this tradition, Geisel used a typically Seussian-looking mountain goat for his ad. In one illustration, the goat is a trophy animal who is looking enviously off the wall at two glasses of beer passing by. In another, the goat is a waiter carrying a foaming schooner on a tray.
Noting his distinctive work for Schaefer, in 1942 the Narragansett Brewing Company, located in Cranston, Rhode Island, asked Geisel to undertake an ad campaign for its beer. The president, Rudolph F. Haffenreffer, was a avid collector of Native American artifacts including cigar store Indians. Haffenreffer asked Geisel to weave a wooden Indian theme into his advertising.
Thus was born “Chief Gansett,” a blocky figure wearing beads, carrying a hatchet and boasting a multicolored headdress. Most often this wooden Indian carried a large goblet of beer. The image proved very popular and the Chief appeared on a range of marketing items including trays, bar coasters, and posters as well as in newspaper and magazine ads. In an ad for bock beer, Chief Gansett also was depicted riding on an animal that bore a strong resemblance to the goat Geisel earlier had drawn for Schaefer Beer.
When a small Scotch distillery in 1939 called Hankey Bannister decided to advertise in the U.S. market, it sought a special image that would make its bottles distinctive on the shelves of American bars and liquor stores. Founded in 1757, this wines & spirits company established its premises at Johns Street in London's West End. Given the distillery assignment, Geisel created the “Hankey Bird,” an absurd looking avian with a large beak and wearing a kilt. With the use of a small spring, the figure snapped onto the neck of a bottle of Hankey Bannister Scotch. It brought instant attention to the whiskey. Sales soared.
With tongue firmly in cheek, Geisel wrote in 1939: ”There’s no sense to it."The bird on the bottle is a replica of an actual bird, developed after years of painstaking cross-breeding in the Seuss Laboratories for a lofty purpose, namely, to produce a carrier pigeon for the Scottish army... a bird so distinctive that it would not be mistaken for a grouse and shot down by near-sighted American millionaires. After fifteen generations of wearing kilts, the Hankey Bird has developed sideburns. But most unfortunately his mating call is characterized by a distinct burr. Our only purpose in leasing him to Hankey Bannister is to finance further scientific effort to de-burr that mating call...not, I assure you, to aid in the crass business of selling whiskey."
Throughout his career Ted Geisel as Dr. Seuss had written and drawn for youngsters. In 1957, however, he published two remarkable books that sent his reputation into the stratosphere, “Cat in a Hat” and “The Grinch Who Stole Christmas.” Thereafter he was able to abandon commercial work entirely to concentrate on children’s literature. While generations forward may be thankful for that, a look back is instructive to the time when Dr. Seuss “sold the sauce” and a whole lot of other things through his art.
Note: Those early Geisal drawings lovingly have been gathered by Dr. Charles D. Cohen, a Springfield Mass. dentist, in a marvelous book called “Seuss, the Whole Seuss and Nothing But the Seuss.” It is a must read for any Dr. Seuss aficionado.
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