Showing posts with label The Bird Cage. Show all posts
Showing posts with label The Bird Cage. Show all posts

Monday, September 19, 2016

Hugh McCrum, the West’s Peripatetic Whiskey “Capitalist”

Foreword: Trying to cram the multifaceted life of Hugh McCrum into the confines of a single post has been a daunting task.  Although well-known in his own time and deserving book-length treatment, the multi-millionaire McCrum largely has been forgotten as a pioneer entrepreneur in the Old West.  A kinsman in Northern Ireland has done prodigious research on him, however, that made writing this article possible.  

The McCrums were Presbyterians from Scotland who moved to Northern Ireland where they were numbered among the Orangemen.  They settled in the town of Carnmoney, County Antrim, an area on the outskirts of Belfast.  The Irish potato failure was no respecter of religion, however, and both parts of the Emerald Isle were victims of famine.  Hugh was born circa 1836 in County Antrim of parents, James and Agnes McCrum. When he was in his early teens, he, his mother and other siblings boarded the S.S. Aberdeen, known as a famine (or sometimes “coffin”) ship,” at Liverpool, England, early in 1850, arriving in the U.S. after several miserable weeks at sea.

James McCrum was not with his wife and children on the voyage.  My guess is that he was already in the United States getting established and had called for his family to follow.  Via the 1850 census, I have found a James McCrum, no wife listed and of the right age, living in Clark County, Kentucky, with his occupation given as “saloon.”  Kentucky was just opening up to settlers and many from Ireland found their way there.  If this was his father, it may help explain Hugh’s penchant for running saloons.

The first ten years of Hugh’s life in the U.S. are shrouded in history.  He later claimed because his father had been naturalized during that period, American citizenship automatically had been transferred to him as a minor child.  McCrum first showed up in a public record in the 1860 Federal census at the age of 22, living in Pine Grove, California, the mining camp shown left.  He was boarding with other miners in a hotel run by an Englishman named Thomas Hardy.  Like tens of thousands of other youths the California Gold Rush seemingly had brought McCrum West. 

Although he never got mining out of his blood, by 1863 Hugh was living in Virginia City, Nevada, and running the Delta Saloon there.  It is shown standing today restored as a tourist attraction.  His stay in Virginia City was marked by a strange occurrence.  According to a newspaper story in December 1868:“Mr. McCrum, proprietor of the Delta Saloon, became suddenly deranged, and seizing a pistol, drove everyone from the saloon, when he closed the doors, shutting himself in.  During the commotion, his pistol was accidentally fired off, but luckily neither himself nor anyone about was hurt.”  After being subdued by the sheriff, he was taken to the jail and shut up in a cell for his own safety.  McCrum was not known to be a heavy drinker and local opinion was that his delirium was caused by contracting smallpox from a partner who subsequently had died.  Whatever the cause, no further such incidents were reported.

During this period Hugh got married.  His wife was Emma J., a woman born in Maine and just a year younger than he.  The 1870 census found them at home in Virginia City with a baby named William, born in California.  Because McCrum was reputed to have no direct survivors, there is a possibility that he was Emma’s child by an earlier marriage or that the boy died in infancy.  Listed as a “liquor dealer” in the census, McCrum befriended and possibly supplied a firefighting company in Virginia City.  Shown here, a certificate dated November, 1870, gave him an “exempt” membership in the unit.

After moving to San Francisco post-1870, McCrum became enamored with the Arizona Territory and began to travel there, some 800 miles from his home.  Although some of the distance could be covered by rail, most required overland transport by stage coach or on horseback.   McCrum was quoted in the press saying that Arizona is “the richest country outdoors,”  an somewhat ambiguous statement that might have been alluding to the natural beauty of the territory or its potential mineral wealth.  Hugh seems rapidly to have gained friends during his travels, particularly among members of the press who helped spin him into legend.  One newspaper called him an “Old 49er,” ignoring the fact that McCrum was 11 years old and in Ireland that year.  Another cited him as an “old frontiersman, freighter and Indian fighter,” although there is no independent evidence of those occupations.

McCrum also was regaling attentive newsmen about his reputed scrapes with hostile  Indians.   Citing him as a man who “carries on his face the strong impression of truthfulness and reliability,”  the Arizona Daily Star published a extensive interview with him on the subject:  “Mr. McCrum  represents that traveling in the Territory, except with a strong and well armed escort, is extremely hazardous, and he was compelled to do most of his traveling under cover of night to prevent being waylaid by Apaches.”  The Prescott (AZ) Courier, however, was not as impressed:  “Mr. McCrum evidently likes to hear himself talk…As to Arizona being a unsafe country to travel in, and the ‘hairbreath escapes’ of Mr. McCrum — well, as we said before, he likes to hear himself talk.”

At this time McCrum’s frequent trips to Arizona were part of his work as a traveling salesman for the J. M. Goeway & Co.  This was a wholesale and retail liquor house that had been founded in 1869 at 409 Front Street in San Francisco, It featured a proprietary brand of whiskey called “Blue Grass Bourbon.”   Hugh’s success in the liquor trade was indicated in a 1872 notice by Goeway indicating that McCrum had been made a partner in the firm.

By 1876, Goeway had departed the scene and the Front Street business belonged to McCrum and a new partner, John Sroufe.  Born in Ohio, Sroufe was a decade older than Hugh, married with a family of three girls.  Listed in the 1870 census as a “produce dealer,” he brought to the liquor house San Francisco business savvy and a willingness to “watch the store” while the restless and peripatetic McCrum roamed the West.  A Nevada newspaper described the Scotch-Irish entrepreneur being “…as well known in Nevada as sagebrush and as popular as the product he sells.  Yesterday the firm of Manning & Berry, our townsmen, ordered from Hugh ten cases of the famous Blue Grass Bourbon.”

Despite the purported threat from Apaches, McCrum increasingly was being drawn to Arizona, particularly the area around Prescott.  There were two attractions, mining and saloons.  From early on McCrum was checking out area mines, telling newsmen that he believed the mineral resources of Arizona to be almost inexhaustible and would prove equal if not superior to the mines of California.   While selling whiskey to their owners, he also was calculating the profitability of the numerous saloons on Prescott’s infamous “Whiskey Row,”  shown here, eventually buying at least two and a barbershop.  Later they would be destroyed by fire.

About 1886 McCrum and Sroufe also became partners in a saloon in Tombstone, Arizona, called the “Bird Cage,” an establishment notorious for rowdy behavior and a bordello on the second floor.  Hugh, apparently ever on the move, probably instigated the purchase.  Two years later they sold the Bird Cage to Joe Bignon. [See my post on  the Bird Cage and Bignon, January 2014.]  McCrum also is recorded having bought a stock farm near Point of Rocks, a highly scenic area not far from Prescott, shown below.

With their liquor trade burgeoning, by 1881 the partners had moved to larger quarters at 208-210 Market Street.  They also were looking closer at home for opportunities.  The Cliff House Restaurant, perched on rock above the Pacific Ocean was a longstanding San Francisco icon, a eatery favored by the city’s wealthy residents and famous figures that included three American presidents.  When a new owner found himself unable to manage the property, he leased it in 1883 to McCrum and Sroufe.  They apparently brought a different kind of clientele to Cliff House, raising local eyebrows and offending the owner who terminated their lease within two years, instructing their successor to “clear out the riffraff.”

The early 1890s were an particularly eventful period in McCrum’s always active life.  In March 1881 he met with a serious accident while driving a horse and wagon in Golden Gate Park.  Described in press accounts as “driving at a top rate of speed,” he struck a projection on the side of the road and was thrown headfirst out of the wagon onto the road, sustaining a head cut and a bruised shoulder.  Assisted by the police, McCrum received medical treatment at his San Francisco home.  The horse, one he had purchased only a short time before, was severely injured and had to be shot. 

By now 53 years old, this incident may have dampened Hugh’s ardor for being on the road constantly for McCrum & Sroufe.  He left the firm in 1893, one that John Sroufe would carry on under his own name until about 1915.   Although out of wholesaling liquor, drinking establishments still had an attraction for McCrum and looking south to Los Angeles, he found an attractive property.  Called the Exchange Saloon it had been closed for several weeks because of a fire.  McCrum bought it, expanded the drinking space, upgraded the bar, re-painted and papered, and installed new lights.   According to the press, he also insured that there was a “fine new stock of liquids."

Finally, after at least 35 years of marriage to Emma J. McCrum, years during which Hugh seldom was at home, their union came to an end.  On the grounds of “willful desertion” she sued for and was granted a divorce with a substantial financial award.  Within weeks, Hugh wed again.  This time his wife was Harriet M. Lakeman, a native of Massachusetts recorded as living in Mill Valley, a community north of San Francisco.  He was 58 and she was 42. The couple were married on May 13, 1885, in a Los Angeles Congregational Church with the pastor presiding.  Calling Ms. Lakeman “a most excellent lady” the Prescott Journal-Miner joined McCrum’s reputed “army of friends in Arizona,” in extending congratulations.

By this time McCrum had changed his official residence to Prescott, keeping an office in San Francisco where directories referred to him as a “capitalist.”  In those days the term was synonymous with “investor,” a wealthy individual whose occupation was putting money behind business developments.  For McCrum that meant saloons and, more important, mining endeavors.  Federal minings laws had greatly benefited him.  They allowed beneficiaries to buy land and the mineral rights below for no more than $5 an acre.  Between the years of 1893 and 1896, McCrum is recorded making three purchases in Arizona, amounting to 150 acres.  His was a particularly large holding.  

The Phoenix Gazette called him “…One of the oldest mining men on the coast and his judgement is taken above all.  He has traveled through the mining regions on the coast for thirty years and none are better known.”  McCrum had reported to the paper on his mining efforts twenty miles south of Prescott, claiming his works were “running night and day on good gold ore.”

McCrum  also became the majority owner of the Silver Cave mine, one he described as the biggest gold mine on the West Coast.  It was located in the Florida Mountains, a small range in southern Luna County, New Mexico, not far from the Mexican border.  He also was an investor the McCabe mine, at one time holding a half ownership. Shown below, it was located not far from Prescott and produced both gold and silver. 
 
A friend recalled a dialogue between Hugh and a prim New England lady during a stagecoach ride to Prescott.  While McCrum was in mid-sentence the woman interrupted him with a question:  “‘Mr., what constitutes capital in this country?’  Quick as a flash, he answered:  ‘Eight dollars and six bits, Madam,’ and finished his sentence.” 

Although McCrum listed his residence for voting purposes as Prescott, he continued to keep strong ties in San Francisco, and owned considerable property in California.  He was there when he died at the age of 66 in July 1902. In Hugh’s obituary The Sausalito (CA) News opined: “The life of the deceased was thrilling in the extreme, and the account of his experiences in Arizona would make reading as rich as the experiences found in the yellow colored novels.”  The Prescott newspaper highlighted the amount of overland travel Hugh had endured over 25 years through California, Nevada, Oregon, and Arizona, “…that would have worn out an ordinary man years ago.”

With his widow Helen and friends looking on, McCrum was interred in Cypress Lawn Cemetery outside San Francisco at Colma, where many of the city’s dead are buried.  In keeping with his wealth, Hugh lies in a freestanding mausoleum with his name carved in large letters over the door.  The figure sitting atop the structure even today provokes curiosity.  It is a seated angel with hand to chin as if puzzling over what kind of man lies below.

There are few written assessments to tell us more about McCrum’s personality.  One obituary described him as a “large-hearted, generous and genial man,” with a host of friends all over the Pacific region, but said little else to describe him.  It occurs to me that the many miles Hugh McCrum had traveled in the West were of  less importance than the distance he had covered from being an indigent boy arriving on a Irish famine ship to becoming a West Coast multi-millionaire.

Note:  This vignette would not have been possible without the help of Roy Lyle, a resident of Northern Ireland and a direct descendant of Hugh’s niece.  He had seen an earlier post of mine and wrote to tell me about his relative.  Roy found Hugh McCrum’s “rags to riches” story of considerable interest, as did I, and he had gathered a wealth of material on him.  Unfortunately, neither of us can find a photo of the man.  Instead, Roy’s photo is inserted here as a sign of my gratitude for his help.  Finally, two other of my recent posts, in March and August 2016, also deal with Prescott’s Whiskey Row.
































Wednesday, January 8, 2014

Joe Bignon and Big Minnie in the Bird Cage

In 1886,  Joseph W. (“Joe”) Bignon and his wife, “Big Minnie, ” reopened the Bird Cage Theater in Tombstone, Arizona, and created a legendary saloon that provided entertainment, women and whiskey to the overwhelmingly male population of the boom town.  It marked the culmination of Bignon’s long and colorful life.

According to a contemporary biography, Bignon, shown here in maturity, was born in 1851 in Montreal, Canada, the son of French immigrant parents.  Determined to become an actor, he ran away from home at the age of 12 and joined a minstrel show where he learned to sing and dance while traveling throughout Canada and the United States.  Eventually he joined the Grant Brother’s troupe that introduced country clog dancing.  When he was barely out of his teens,  Bignon, who also had management ambitions,  added “impresario” to his credentials.  During the early 1870s he operated several music halls saloons in the American Midwest.

Bignon left those pursuits to return to entertaining by joining a traveling show called The Australian Circus.  After a stint there, he jumped to Doc Hager’s Great Paris Circus and Zoological Aggregation,  a group that toured less-populous frontier towns in Michigan, Minnesota, North Dakota and Ontario.  He abandoned life on the road to buying a partnership in a Sheboygan, Wisconsin, saloon.  His biographer wrote:  “Joe has ever been of a restless nature and no matter how well he is prospering, when the desire to satisfy his roving disposition comes on, everything is sacrificed to that end....”


Having traveled over most of the midsection of North America by the age of 28, Bignon determined to make a new start by going West to the Arizona Territory.  In 1879  he found his way to Tombstone, a silver mining boom town of 3,000 people, later made famous by the shoot out at the OK Corral.   Allen Street, the main drag, is shown as it looked in about 1880.  Bignon opened a theater/saloon there but soon decamped for San Francisco to manage another theater.  He left that job for several more circus tours.  It was likely on one of those that he met his future wife, Matilda Quigley. She was a six foot tall, 230 pound dancer whom Joe called “Big Minnie.” Born in England about 1852, she is said to have  “dazzled” audiences by prancing around the stage in pink tights.

During Joe’s absence from Tombstone,  a local entrepreneur named William J. “Billy” Hutchinson had hatched a plan to build a new variety theater and saloon.  Constructed of adobe over wood,  the structure, shown here, at last was opened in 1881. He called the establishment “The Bird Cage.”   After an initial period of success,  an economic downtown likely caused by falling silver prices,  caused Hutchinson to sell the property to San Francisco interests who shut it down.   Sensing an opportunity,  Bignon and his hefty bride returned to Tombstone and reopened The Bird Cage in 1886.  In addition to entertaining, Big Minnie, shown here,  also was said to have been a bouncer at the establishment.

The focal point of Bignon’s “palace” was the highly polished bar at one end.  Shown here in a latter day, the bar boasted two large crystal and brass lamps, a large mirror, and space for a wide variety of whiskeys, wines and other liquor.  Throughout a raucous evening the liquor stock was replenished with supplies from a storeroom below the stage.  At one side of the bar was a hoist-like contraption by which drinks could be sent to the boxes above the theater.
 
The partition that separated the barroom from the theater held its own attraction, shown here. It held a huge painting of “Fatima,” a well-known West Coast belly dancer who had graced the Bird Cage stage with her bare-breasted presence in 1882.  The stage was small, only about 15 feet wide, 10 feet high and 15 feet deep. Still it was enough for the songs, sketches, acrobats and dances that comprised an evening’s program.  The mental image of Big Minnie swinging her 230 pounds in pink tights around that tiny space is fascinating.

Along two sides of the theater was a one-level balcony that jutted from the wall and seemed to be suspended. It was divided into separate small rooms.  One writer has described the purpose of those rooms at the Bird Cage:  "The smoke-filled establishment was named, with heavy frontier humor, for the 12 tiny balcony boxes where soiled doves plied their trade behind curtains. When uncaged, the painted ladies pursued less profitable sidelines such as shilling drinks and dancing with drunken cowboys, hardhanded miners, and nimble-fingered gamblers and gunmen."  The scene is alleged to have inspired the writing of the well-known 19th Century ballad, “She’s Only a Bird in a Gilded Cage.”


In reality what Canadian Joe and Big Minnie were running, in addition to a theater and saloon, was a bordello.  A $25 Bird Cage token exists, reputedly from this era, that guarantees:  “Square and Honest Gambling, The Best Liquors and Wine, Always Many Lovely Fancy Women,  Acclaimed the Best Sporting House in the Southwest.”  The flip side of the coin promises that it is “Good in Trade Toward All Favors of the House.  Our Fancy Women Will Fulfill Any Wish.”  It is signed by Joe Bignon.   Wyatt Earp, the famous sheriff of Tombstone is said to have carried one of these coins around in his pocket as a lucky piece.

In addition to running this wide open establishment  where, accurately or not, gunfights sometimes were reported, Bignon may also have been mixing and compounding his own brand of whiskey.  Shown here is a saloon sign for “Moon Castle Whiskey” that noted that the liquor was being served at Tombstone’s Own Bird Cage Theatre.  I can find no reference to this brand in the usual sources and conclude that Moon Castle was Bignon’s house brand.  The picture of the European castle beside a river in the moonlight suggests a level of sophistication that, despite his lack of formal education, may have resulted from the Canadian’s broad experience with people and places.

Meanwhile, Tombstone’s silver-based economy was faltering.  Despite Joe and Minnie’s best efforts to keep the whiskey flowing and provide varieties of entertainment, the dismal financial conditions in that part of the Arizona Territory had doomed their enterprise. Suddenly news came of a gold strike by a man named Pearce in Cochise County, Arizona, at what would become the Commonwealth Mine. In 1892, the childless couple literally “pulled up stakes” and joined a number of Tombstone residents who were already in the new gold camp.  After selling the Bird Cage Theatre they dismantled their wooden Tombstone house, loaded it on a freight wagon, and moved it through South Pass, and reassembled it at the foot of Six Mile Hill at the Pearce mining camp.

In Pearce, now considered an Arizona “ghost town,” the enterprising Bignon set up a saloon, the first in the area.  Known in reference sources variously as the “Pioneer,” or “Palace” this establishment, hailed for being “lavish” in its appointments, opened its doors in 1896.   It advertised that it offered faro, roulette and “the finest spirits.”  Although nothing was said about prostitution,  one suspects that at least some of the Birds in the Cage followed the Bignons through South Pass to the gold fields.

With miners flush with money as his customers,  Bignon flourished in Pearce.  In 1900, however,  Matilda “Big Minnie,” died.  Buried in Pearce  Cemetery, her blue granite tombstone has a fancy sculptured design.  Her first name, however, appears to have been misspelled.  Although the elegance of her grave marker bespeaks close affection by Bignon, within a year he had remarried.  Her name was Ellen McGrogan (on her death certificate “McGregery), from Patterson, New Jersey, and the daughter of John McGrogan, an Irish immigrant.  Ellen was younger by 13 years than Joe.   The 1910 U.S. Census taker found them living in Pearce.  Bignon's occupation was given as “saloonkeeper.”

Although the coming of National Prohibition shut down Bignon’s establishment in Pearce, the couple continued to live there the remainder of their lives, even as the population ran out along with the gold.  Joe died in 1925 at the advanced age of 85 and is buried near Minnie in the Pearce Cemetery.  Her gravestone is shown here, foreground; Joe’s is the black slab behind.  Second wife Ellen also is believed to be buried in the same cemetery but no marker has been found for her.

The odyssey of Joe Bignon’s life was the stuff of fiction.  Beginning at the age of 12 and encompassing 73 years, his days and nights presented constant challenges to give his audiences and customers what they wanted.  In 1888 “The Cricket,”  a 19th Century general interest magazine did a feature on Bignon.  It provided a summary that seems appropriate to repeat here:  “There are few managers...who are more enterprising and successful than Joe Bignon, and the fallacy of saying ‘that a rolling stone gathers no moss”  was never better shown than in his case.”

Note:  Much of the information for this post came from the April 1935 issue of the Arizona Historical Review, published by the University of Arizona.  The article by C. E. Willson, entitled “From Variety Theater to Coffee Shoppe,” also described the fate of the Bird Cage after the Bignons departed. More recently the Bird Cage has been restored as a tourist attraction in Tombstone.  Photos are from that restoration.